This painting is my donation to the Cascade Aids Projects annual Gala art auction. I have used this grand event with mixed results in recent years to find some exposure for works from my portfolio archives that I think contains certain redeeming qualities, but which have never been publicly exhibited, and also are not likely to find exhibition opportunities elsewhere in my lifetime. This painting began life as a strictly non-objective construct. I came to recognise certain representational elements later...the red bands as the cording on military band unifofrms and the white disk as a moon shape in a night sky. Lately it has come to read rather ominously to me, as a view out from a concrete bunker at night. The title given here is new, created for the entry form for the auction. I felt a need to lighten things up a bit!
Sunday, February 1, 2009
It is said that the Moon is made of Green Cheese, 1983
This painting is my donation to the Cascade Aids Projects annual Gala art auction. I have used this grand event with mixed results in recent years to find some exposure for works from my portfolio archives that I think contains certain redeeming qualities, but which have never been publicly exhibited, and also are not likely to find exhibition opportunities elsewhere in my lifetime. This painting began life as a strictly non-objective construct. I came to recognise certain representational elements later...the red bands as the cording on military band unifofrms and the white disk as a moon shape in a night sky. Lately it has come to read rather ominously to me, as a view out from a concrete bunker at night. The title given here is new, created for the entry form for the auction. I felt a need to lighten things up a bit!
Saturday, December 20, 2008
Wednesday, December 10, 2008
The Sky, The Land, and The Talking Sticks
Wednesday, November 5, 2008
Mark Montoya - some serious doodling!
While my skatboard work is not included in the current showing at Artery in North Portland, This image painted on three skateboard decks by friend and co-worker Mark Montoya is. A former grafitti artist and constant doodler, this showing in conjunction with the ARTISTS FROM BEAUTIFUL LOSERS exhibit represents Marks first public showing of his work. In addition to Mark's mixes media painting instalations, I am showing selected work from my recent drawing project Flow, and other current and former Katayama Framing employees Beau Gordon, Chris Mullins, Peter Murdoch and Vanessa Stockard are also on display.
Update! Marks boards remain on display at Artery and the recent exhibition of skateboard photography was covered by Skateboarder magazine Marks boards got some coverage at this site as well! http://www.skateboardermag.com/skateboarder-photos-videos/photos/flash/seen-of-change-art-show-portland/index.html
Artery is at
4114 N. Vancouver Ave
Portland, OR 97217
Monday, November 3, 2008
skateboard deck

This skateboard deck was manufactured by my friend Scott Moore from Subsonic Skateboards and I put this landscape of tree trunks sihlouetted against a gold leaf background onto it. Check out the Subsonic skateboard link. I also have some drawing from the work on paper "Flow" on view at "Artery" in North Portland, in conjunction with a show of work by artists featured in the "Beautiful Losers" documentary film. Featured there is skateboard artwork by another Portland colleague, Mark Montoya
Tuesday, October 14, 2008
The Tempest

Well, a bit of a stretch here to call this one poetic, but it is one of my pioneering pieces in the narrative vein so I will label it here to group it together with the other poetic narrative works. It's absurd humor and in your face crudness in the execution have always made this one a handful for many people to appreciate, and also made it one of my favourites! It features twin towers. I had seen the twin towers in Manhattan, and there are also a pair of towers in Century City in Los Angeles where I lived at the time. The towers in this painting aren't specific archcetectural features, I simply found the visual effect of identical twin scyscrapers a compelling visual and used them here to represent the harshness and isolation of the urban landscape. There is alot going on here with the factory puffing smog into the red sky and the artificial mountain in the backyard of the suburban house (think Disneyland) I suppose the Greek diety is going to blow it all away so that we can start anew? I worked on the study more as an independant doodle and saw all this as I contemplated what it might have been, and so found the path for the large painting you see here.
The Tempest
1983 acrylic on canvas
64 x 40

study
1982 acrylic, charcoal and collage on board
16 3/4 x 12 1/2
Wednesday, October 8, 2008
Update Watermelon Girl
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